MADONNA BRINGS THE WORLD PREMIERE OF “CONFESSIONS II” TO 2026 TRIBECA FESTIVAL.
Madonna is set to make a major return to the Tribeca Festival this June with the world premiere of Confessions II, a cinematic visual companion to her forthcoming album. The special screening will take place on June 5 at New York City’s iconic Beacon Theatre.
Directed by creative duo David Toro and Solomon Chase (TORSO), Confessions II is an immersive visual experience built around the first six tracks of Madonna’s upcoming record, including I Feel So Free and Bring Your Love, featuring Sabrina Carpenter. Running just over ten minutes, the project unfolds as one continuous film, blending music, fashion, movement, and dreamlike storytelling into a bold cinematic journey.
The film explores themes that have long defined Madonna’s career — fame, identity, intimacy, freedom, and self-expression — while paying tribute to the dancefloor culture that has remained at the heart of her artistic evolution. Produced by Division in partnership with Dolce & Gabbana, the project delivers a visually ambitious experience that merges music video, fashion film, and contemporary art.
Following the premiere, Madonna will take part in an exclusive onstage conversation alongside directors Toro and Chase, moderated by late-night host Jimmy Fallon. The discussion will offer audiences a behind-the-scenes look at the creative vision and production process behind the project.
“Madonna has spent decades redefining what artistic reinvention looks like,” said Tribeca Festival co-founder Jane Rosenthal. “Confessions II is provocative, immersive, and unmistakably Madonna.”
Widely regarded as one of the most influential figures in modern pop culture, Madonna continues to shape music, fashion, performance, and visual storytelling while using her platform to champion social causes and creative freedom.
The world premiere of Confessions II will take place on June 5 at 8 p.m. during the 2026 Tribeca Festival, which celebrates its 25th anniversary this year in New York City.
